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Feathers review: Terrapin Puppet Theatre triumphs in Tasmania
Feathers has everything you could want for intergenerational audiences looking for meaning in relationships and hope for our futures.
It’s time to rethink how we fund international touring – here’s why
Companies are facing cost barriers to touring work overseas. Could one of our most energetic Artistic Directors hold keys to…
Rebecca review: a dark and deathly dream at the MTC
Anne-Louise Sarks cuts a little too much meat off the bone in Rebecca, but Nikki Shiels excels as always.
On the move: latest arts sector appointments
Your weekly round-up of Australian arts sector appointments.
Last One Out by Jane Harper review: moving and memorable
Jane Harper's Last One Out portrays a town under siege and is not to be missed.
Best opportunities, grants and awards for creatives: 6–12 October 2025
SA lit awards, Contemporary Music Development Grants, Lunar Festival call-out and more opportunities.
Strangled by superannuation: I'm a struggling artist, but I have to pay super
Sole trader creatives get the benefit of superannuation on the one hand, but are strangled by mandatory payments on the…
I was the Archives Editor at Meanjin – its closure is baffling
As Archives Editor, Emma Sutherland had ‘read everything’ in Meanjin's past, but was unprepared for its troubled present.
work.txt and Instructions review: fourth wall building and breaking at Melbourne Fringe
Subject Object’s mesmerising Melbourne Fringe highlights, work.txt and Instructions, will have you questioning reality.
With an $80k commission, Heather B Swann embarks on the final series of her lifetime
Heather B Swann's major new project will be exhibited in Sydney in 2026.
