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Nginha ngurambang marunbunmilgirridyu: I love this country – but do you?
Jonathan Jones’ Artstate keynote talk offered fresh pathways forward in our complex colonial conversation.

How well do we remember our artists?
Remembering artists today goes beyond the retrospective exhibition or coffee-table monograph. Find out what’s leading the trend in keeping those…

Mitzevich finds the answers to lead the NGA in its DNA
No new building, more digital content, a Mitzevich collection rehang and a year of blockbusters; all part of the vision…

Angus Trumble reflects on his time at the National Portrait Gallery
Taking risks, working with government and escalating the acquisition program: the National Portrait Gallery's outgoing Director reflects on his five…

What Rhana Devenport has planned for the Art Gallery of South Australia
In the face of recent funding cuts in South Australia, Devenport believes that the Art Gallery of SA remains pregnant…

Japanese 'starchitect' Kengo Kuma makes Australian footprint
From designing Tokyo’s 2020 Olympic Stadium to working with students in Canberra, Kengo Kuma keeps it real by connecting materials…

Art is a constant reminder of our colonial wars
Two hundred log coffins were commissioned for Australia’s bicentenary. Thirty years later, the NGA's Director and the project’s curator discuss…

Peer mentorship offers rewards beyond the silo of geography
A new program led by the British Council pairs Australian and British arts colleagues from minority and First Nations backgrounds…

Creative ageing is an urgent and fashionable topic, yet currently unsustainable
Creative ageing is a two-fold problem: the crisis of our artists ageing into poverty, and the lack of sustainability in…

Feeling the impact of cultural tourism beyond the majors
Artshub takes a look at how the rise of cultural tourism is trickling into regional Australia and towards bespoke individual…