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What Tom Muller has to say about Fremantle Biennale
On the cusp of its second iteration, we look at how this art event is busting open 'outpost syndrome' by…
New cultural precinct model built on social agency
The Parramatta Female Factory Precinct is a site conflicted by trauma, but is now being turned into a cultural venue…
The Yin and Yang of Aboriginal Art
What a 60,000 year old concept on kinship is teaching contemporary art.
Judith Neilson versus John Kaldor
Two incredible philanthropists are currently celebrating anniversaries of their collections and patronage – we take a look at their legacy…
Museum redefinition in a loop
At the recent International Council of Museums (ICOM) in Kyoto, cultural institutions debated a new definition of museums that included…
5 ways the arts takes on the climate crisis
We look through our best stories to find these tops reads on how the sector can confront climate change from…
The burden of responsibility as an activist
Nothing comes easy, especially with disabilities art. Three international leaders talk about the burdens and wins of activism, visibility, failure…
Giving art: what it really means for regional galleries
Many regional galleries are built on the back of donated collections. But that catalyst to bricks and mortar is just…
Leading for change – who’s leading disability arts?
From being disability-led from the top down to making everyone share responsibility to be leaders for change, those doing it…
Scoring a role: how do you compose music for games?
Videogames offer many opportunities for audio experts, but how do you crack into this evolving industry? We talked to Ring…
