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A group of men in white shirts and black ties stand in formation. The right arms are raised with a bible.
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Book of Mormon review: the Broadway hit returns to Sydney

The Book of Mormon is as offensive as ever but the music's still good and the production is sharp.

Two men in Shakespearean costume. One has his sword up against the other's throat. Henry 6.
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Henry 6 – Part 3 review: a pared back Sydney Shakespeare Company production

See one or all three of Sydney Shakepeare Company's Henry 6 trilogy.

A man is sitting on a chair and a woman is standing beside him. The view of Sydney Opera House can be seen behind them.
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Emerald City review: David Williamson's classic restaged at Ensemble Theatre, Sydney

Greed, real estate, the importance of art, Sydney vs Melbourne – ‘Emerald City’ is as relevant as ever.

A man with his arms outstretched with white confetti falling over him.
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Breaking the Castle review: a play about the slow crawl out of addiction

Breaking the Castle is a one-man show about an actor overcoming substance abuse.

A man in a black suit has his back to us. He's facing a woman and a man who are standing apart.
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Betrayal review: Pinter at the Old Fitz in Sydney

Harold Pinter's Betrayal is a reverse look at an affair, from the end to the beginning.

A group of people in Regency period costume in a parlour room. Plied and and Prejudice.
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Plied and Prejudice review: Austen thrills His Majesty’s Theatre, WA

An evening of Austen with plenty of laughs, Plied and Prejudice may be the most fun you’ll ever have at…

The cast of The Visitors - Seven people in suits either sitting or standing on a rock-like formation.
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The Visitors review: a play's reimagining of the First Fleet from an Indigenous perspective

'The Visitors' invites us to see our past from a different storyline.

A middle aged, fair skinned women sits with legs crossed and hands raised in a rehearsal room. This is actor Rebecca Gibney in a scene from Sydney Theatre Company’s 'Circle Mirror Transformation', 2025.
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Circle Mirror Transformation review: another safe bet from the Sydney Theatre Company

STC presents a competent but uninspired staging of US playwright Annie Baker’s award-winning play, Circle Mirror Transformation.

Rumbleskin. Image: Kimberley Summer.
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Rumbleskin review: Australian stage show meets American gothic

Writer Ames May Nunn and director Alonso Pineda have crafted a modern allegory in Rumbleskin, at fortyfivedownstairs.

A dishelleved man in rumpled clothes (Dash Kruck) and a glamous, laughing, blonde-haired Dolly Parton in a low cut red dress (Tricia Paoluccio) in a scene from the musical 'Here You Come Again'.
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Here You Come Again review: Parton musical slaps too sweetly

How does this Dolly Parton musical handle the fine line between love letter and tacky tribute show?

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