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Monteverdi's Vespers and Orfeo review: two 5-star baroque masterpieces at Adelaide Festival
Ensemble Pygmalion's performances of Monteverdi's Vespers and the opera Orfeo were baroque masterpieces for a neo-baroque age.
Perle Noire review: charting the inner life of the iconic Josephine Baker
A powerful fusion of opera and cabaret, Perle Noire delves into Josephine Baker's inner world.
Opera for the Dead review: ghosts in the theatre
Opera for the Dead blends the ancestral and contemporary to consider rituals around death and remembrance.
Diva review: mighty goddesses unite in this glittering exhibition
The first exhibition at Melbourne's new Australian Museum of Performing Arts is a star-studded look at the diva through the…
Orpheus & Eurydice review: a magisterial marvel
Opera Australia’s collaboration with Circa breathes dazzling new life into Gluck’s mythology-mining Orpheus & Eurydice.
O,D,E review: Sage J Harlow's experimental opera about Orpheus & Eurydice thrills
O,D,E, based on the Ancient Greek story of Orpheus and Eurydice, is a treat for the soul.
The Magic Flute review: a first-of-its-kind opera collaboration in Adelaide
State Opera South Australia’s The Magic Flute is opera for our times.
La Bohème review: now relocated to 1930s Berlin at the Sydney Opera House
La Bohème is an operatic classic that still charms, but shows its age.
The Marriage of Figaro review: a favourite returns to Sydney Opera House
The Marriage of Figaro, Mozart's classic comedy, is never boring thanks to Opera Australia.
Rusalka review: a near-perfect staging of Dvořák's most famous opera
Opera Australia’s new production of Rusalka is opera at its enchanting best.
