National
New report outlines prohibitive restrictions on use of creative spaces
Sydney Fringe Festival has launched An Anthology of Space 2015-2018, a report that proposes solutions to overcome the onerous red…
Review: Boundary Lines, Griffith University Art Museum
A compact exhibition that examines the role historic archive plays in contemporary fictions and realities.
The myth of the general audience
In her 2018 Philip Parsons Memorial Lecture, playwright Alana Valentine speaks about the power of the collective experience and those…
Applause: latest funding and awards announced
2018 Ruby Award winners celebrate, Disability Internships announced across key NSW creative institutions, Carclew awards over $200,000 in arts funding,…
Sector calls for new Artistic Investment Framework to replace MPA Framework
From across the nation, 25 independent, experimental, contemporary and cross-artform organisations have put their name to a joint statement calling…
Not your normal music festival: Mona Foma rejects sexism and homogeneity
Like Launceston’s Cataract Gorge, Mona Foma has broken through cultural fault lines to ensure its first iteration in Tasmania’s north…
How an online journal launched my content career
If you don’t have the skills required to land the job you want, learn them yourself by starting up a…
On the Move: latest appointments and resignations
New appointments for Monash Centre for Theatre, Queensland Music Festival, Symphony Services Australia, Regional Arts Australia, Monkey Baa Theatre Company,…
Review: Invisible Things, Brisbane Powerhouse
Alex Mizzen delivers a commanding circus dance theatre piece in Invisible Things, spellbinding the audience with her one-woman show.
Review: 9 by 5 Exhibition, Walker Street Gallery & Arts Centre
The equivalent of an open mic for artists, 9 by 5 Exhibition places a premium on participation and values diversity…