Australia
On the move: the latest appointments and resignations
Staff shuffle at The Wheeler Centre; farewells for NAVA; new Creative Producer at Carlew, CEO for Canberra Glassworks announced, and…
How to become a data-informed organisation
The line between geek, creepy and cool is understanding the real-time realities that can help you become a data-informed cultural…
Orchestra of the Age of Enlightenment and Rachel Podger
Fine playing from a veteran HIP ensemble led by the exuberant British queen of the Baroque violin.
How the Palaszczuk Government is supporting the arts
The office of the Queensland Premier and Minister for the Arts, Annastacia Palaszczuk, spruiks the government's investment in the arts…
How will theatre survive in a post-subsidy world?
In his 2017 Philip Parsons Lecture at Belvoir, award-winning lighting designer Nick Schlieper asks: how can we turn the anti-subsidy…
The Merry Widow
Opera Australia has a clear winner on its hands with this new reworking of Franz Lehár’s The Merry Widow.
After Utopia: Revisiting the Asian Ideal in Contemporary Art
Shelter. Survival. Community. Communism. It’s all thrown out on the operating table where Asia exists in this bold exhibition, After…
International collaboration to put TARNANTHI on global stage
Art Gallery of South Australia gives Aboriginal barks the spotlight through collaborations with a world-class American Collection and the MCA.
Gareth Sansom: Transformer
Sansom’s continued fascination with pushing the boundaries of gender norms have their roots in some of his earliest work.
Alexithymia
‘I feel fine and I feel good…’