Australia
How important is a fixed address to creative survival?
Independent artists and small arts organisations talk about the allure of bricks and mortar versus the flexibility of working nomadically…
Career advice to your younger self
Six experts in the industry answer the question: What advice would you offer your younger self? Here are their answers.
Review: Patricia Piccinini's Curious Affection at QAGOMA
Every school child, science student, design student, gaming or technology student should see this exhibition as it offers a non-threatening…
Short term contract, long-term exhaustion
Working on the festival circuit is like a fairground ride: fast paced and exhilarating, but also exhausting and hard to…
What it takes to be a cultural leader in the arts
We speak to two soon-to-be graduates who studied a Masters in Cultural Leadership at NIDA to find out what it…
Powerhouse Museum’s contentious Parramatta relocation confirmed
Moving the Powerhouse Museum from the inner city to Western Sydney will cost $645 million, and may split the collection…
Fringe artists owed $200,000 after events company goes under
Despite apparently receiving all ticketing income owed from Fringe World in March, events management company JumpClimb has not paid artists…
Industry responds to ArtChain: is it all tech hot air?
ArtsHub spoke with a gallerist and an artist to get their opinion on whether the blockchain revolution will significantly impact…
On the Move: the latest appointments and resignations
Sydney Opera House appoints a new Head of Programming; the MSO loses its Director of Artistic Planning; Tasdance appoints five…
Private collectors can't save Australian art on their own
Will the likes of Buxton Contemporary, Tarra Warra, White Rabbit and MONA sustain contemporary art development in Australia as funding…