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Why we relate to Ronnie van Hout’s self-conscious micro worlds

Ronnie van Hout wears self-consciousness on his artistic sleeve in a new survey exhibition at Buxton Contemporary.

News

On this Nelson Mandela Day, Melbourne Museum announces landmark show

In a world premiere, the exhibition ‘Mandela My Life’ will bring Mandela's rich legacy to life through rare objects and…

Features

Who needs a Fringe Festival anyway?

How does the lack of a Fringe Festival impact on a city’s cultural ecology: is its absence actually a positive…

Features

Touring tips: Making it easier for indies to get from coast to coast

Touring a show from Perth to Sydney is hard yakka – especially when your artistic ambition is constrained by the…

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Review: Zeb: A Gender Odyssey, Tasmania Performs

A gutsy story performed by an emerging artist who knows all too well how hard it is growing up non-binary…

Features

After 17 years, James Turrell’s Brisbane work is realised

A new permanent light work by James Turrell completes the vision of GOMA’s architects, and is headed to become a…

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Review: The Man in the Attic, Eternity Playhouse

Violence begets violence in Timothy Daly's thoughtful and provocative play.

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Review: Dobell Drawing Biennial, AGNSW

This drawing biennial is a considered and erudite take on the medium today.

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Review: Sun Xun at MCA

An eclectic exhibition that offers a different take on stop-film animation, drawing and woodblock prints.

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Review: Letters to Lindy, Riverside Theatre

A moving and warmly performed portrait of resilience under national scrutiny.

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