Exit interview: Jo Dyer, Adelaide Writers’ Week Director

From director to Writers Festival Director to author to political candidate, Jo Dyer juggles many hats. As she departs her role, we ask how she keeps it all together.
A woman wearing a tellow dress with orange and green stripes (Jo Dyer) stands beside a gum tree.

Zooming with Jo Dyer in the week before her final Adelaide Writers’ Week (AWW) was a masterclass in multitasking. In the time we talked there were emails from cancelling authors, phone calls she acknowledged but didn’t answer and, that staple of working from home, a knock at the door from an unexpected road worker. Throughout all this, Dyer remained calm, yet excited about the festival she launched on Saturday.

That ability to lean into change is a hallmark of Dyer’s career with a CV that includes a period as General Manager of Bangarra and as Artistic Director of Sydney Theatre Company under Robyn Nevin then Cate Blanchett and Andrew Upton. Not to mention her stint as CEO of Sydney Writers Festival, and somewhere in the mix she has also been a producer on two films (Lucky Miles and Girl Asleep). But she became best known for her role in the rape allegations against Christian Porter, where she took a principled stand to legally challenge the Liberal’s former attorney general and was awarded damages. And this all played out as she was running 2020’s AWW.

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George Dunford was Director of Content at ArtsHub, ScreenHub and GamesHub (2019-2022). He has also written for Meanjin, The Big Issue, Lonely Planet, The Good Food Guide and others. He has worked in digital leadership roles in the cultural sector for more than 10 years including at the National Library of Australia, National Museum of Australia and the Wheeler Centre. He is currently employed by Museums Victoria and is a mentor in the CEO Digital Mentorship program working with Back to Back and Desart. You can follow him on Twitter: @Hack_packer