Fringe benefits: does playing Edinburgh really help your career?

Four Australian artists reflect on their trip to the world’s biggest arts festival and consider whether the benefits of attending outweigh the emotional and financial costs.

Ranking behind only the Olympics and football’s World Cup as a ticketed affair, the Edinburgh Festival Fringe is a fabled event, one with tradition on its side and a contemporary reputation for making careers.

Theatre-maker Bron Batten made her third trek to the festival this year with her one-woman show Waterloo, which details her relationship with a soldier she initially met on an onstage date. Her show attracted strong notices, but she says a perfect storm of external events made the 2022 festival a tougher one for artists.

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Daniel Herborn is a journalist and novelist based in Sydney. His writing has appeared or is forthcoming in The Saturday Paper, The Monthly, The Guardian, The Sydney Morning Herald, The Age, and others. He has also practised law at an Intellectual Property firm specialising in creative industries clients.