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A young man holding onto a young woman. The lgiht around them is night-blue.
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Musical review: Hadestown, Theatre Royal Sydney

While some elements are impressive, others are undercooked and underwhelming.

Two figures in shadowed darkness in the middle of the stage holding onto each other. Heavy drapery surround them with red tones.
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Theatre review: Our Monster’s Name is Jerry, Theatre Works

Gothic tropes are explored, but without the promised scares.

Five people wearing suits stand across a dark stage, with the large word SILENCE above their heads. Truth at Malthouse.
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Theatre review: Truth, Merlyn Theatre, Malthouse

Patricia Cornelius' latest play tells the story of the WikiLeaks founder who 'wanted to change the world'.

A young woman wearing a black dress with red trim has one arm over her head and one by her stomach.
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Theatre review: Short + Sweet Sydney Opening Week, Heat 1, 2025

A competition to find the best 10-minute play. The first heat was of mixed quality.

A crowd of people are seated around a central area. In the middle of which is a screen that says "191. How do you know?"
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Performance review: 12 Last Songs, WA State Theatre Centre, Perth Festival

Experimental and unscripted, this interactive, community-driven performance lasted for 12 hours.

Two men, one with a FBI vest, are on the left, with their arms pointing to a woman on the right.
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Theatre review: Is This A Room, State Theatre Centre of WA, Perth Festival

A real-life interrogation about Russian interference in the 2016 US election is recreated onstage.

A young man in a singlet standing in profile and leaning his arms back on a green bench.
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Theatre Review: Cruise, KXT on Broadway, Mardi Gras

Jack Holden’s Olivier Award-nominated play arrives in Australia for Sydney’s Mardi Gras.

A woman standing at a podium. Behind her is an American flag.
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Theatre review: POTUS, fortyfivedownstairs

A satirical farce with a conceit and style very similar to 'Veep' that can’t quite compare.

Tim Minchin and band performing ‘Tim Minchin – First at the Foundry’ at the Foundry Theatre, Sydney. The photo shows Minchin, a fair-skinned man with shoulder length hair and wearing a white shirt and dark trousers, caught mid-song. His arms are stretched wide and four musicians are visible on the stage behind him; the other half of the photo shows the audience members at the Foundry Theatre.
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Theatre review: Tim Minchin – First at the Foundry

The Australian performer christened the stage of the new Foundry Theatre with a show that was equal parts brilliant and…

An elderly woman (Nancye Hayes) is standing in a living room filled with books. She's wearing a white dress. A 20 something man is seated on a couch (Shiv Palekar)
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Theatre review: 4000 Miles, Wharf 1 Theatre, Sydney Theatre Company

This staging of Amy Herzog’s play is elevated by the formidable acting talents and experience of the great Nancye Hayes. 

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