Features
From major to minor: the new resource exchange
From providing temporary office space to enabling new performance contexts, the resources of a major can be a godsend for…
Etsy or regretsy?
E-commerce is an attractive option to artists but there are also risks attached to hitching a fine art career to…
People's choice: Fifty years of folk
With the 50th National Folk Festival this year, we look at the appeal of a genre that eschews fashion for…
10 ways play can help you work
Play isn't just for the kids. Knowing - or remembering - how to play can spark creativity and improve our…
The new tertiary wars
A highly competitive job market pushes art graduates to test the credibility of both TAFE and university sectors.
Art serves up food this month
Contemporary artists and performers are putting food on the table to playfully explore personal stories as well as question the…
Adelaide gets a new private museum
Who was David Roche, and why do we know so little of his world-class collection until now? His private museum…
Do you believe in magic?
The 2016 Adelaide Biennial will convert the most cynical non-believer that object-based materiality commands the museum and contemporary curatorial concerns.
Diversity and decolonisation: making the invisible visible
How do populations that have been historically subjected to the forces of imperialism not only prosper within the arts, but…
What is live art?
Immersive, experiential, unusual – it’s easy to recognise live art when we see it, but how exactly to define it?