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Pinocchio

An old wooden puppet is given a fresh coat of paint in Windmill Theatre’s new adaptation.

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Perplex

Mayenburg’s characters may be lost in illusions but his skill is the wit, pathos and crispness with which he dramatises…

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Private collection lends important works

A loan from a private British collection presents a rare opportunity for the public to see iconic paintings.

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Wonderland

While it's often easy to blame poor performance on bad dialogue or direction, both of the actors are lacklustre here.

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The Gigli Concert

This is a polished, multi-levelled production distinguished by first class performances. It is also arduously long and verbose.

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New public artwork commission at former Royal South Sydney Hospital Site

City of Sydney seeks expressions of interest for public artwork in heritage precinct at Green Square.

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Art Month Sydney finds new highs from history of lows

With record attendance and sold out events, Sydney’s art scene appears to have turned around since this event’s GFC birth.

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Paul Capsis joins the cast of Pinocchio

Now it's Sydney's turn to experience Windmill Theatre’s sharp and clever take on this truly classic story.

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Katie Noonan & Circa's Love-Song-Circus

Consisting of fifteen original compositions, Love-Song-Circus conjures the lives and viewpoints of individual convict women.

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Beyogmos: Mai Nguyen-Long

Mai Nguyen-Long hints at a new openness by connecting rather than dissecting the past.

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