National
Review: James Ehnes as part of 2018 Great Performers Series
An exceptionally fine performance successfully proposing that ‘less is more’. Presented at the Melbourne Recital Centre.
Review: The Flick at the Seymour Centre
This play is a masterclass in how to pace a drama. Outhouse Theatre’s adaptation of Annie Baker’s The Flick is…
It’s now official: Nick Mitzevich to head up NGA
The son of a Hunter Valley farmer will lead Australia's top visual arts institution into its future. Who is Nick…
'Standing room only': Bundanon at critical turning point on 25th anniversary
We remember Arthur Boyd’s vision for Bundanon to see ‘acres of people’ enjoying the intersection of art, life, landscape and…
Review: Evacuation by Raphaël Jerusalmy
There are many layers to this excellent short novel published by text Publishing.
Review: Bohemia Beach by Justine Ettler
Catherine drinks champagne, for when she’s trying not to get too drunk, and vodka, for when she’s seeking refuge from…
Review: Soft Topologies by Kate Scardifield at UTS Gallery
Through materials and artefacts of colonial astronomy, Kate Scardifield explores how we each move through the world, making our own…
Creating jobs: the push for women in gaming
With only 18% of women employed in the Australian game industry, one organisation is looking to change the tech landscape.
On the move: the latest appointments and resignations
Staff movements and new appointments for Accessible Arts, Tasdance, MIFF, MSO, Glen Street Theatre and The Red Rattler
Five grounding techniques to cultivate resilient ensembles
When creating work that addresses our tumultuous social and political climate, it's important to have processes in place which protect…