National
Review: Tom Gleeson Sure Thing
Like listening to a funny mate tell quality yarns with a wink, some heart and plenty of snark.
Review: Kitty Flanagan Smashing
With a few choice anecdotes about awkward moments, a silly fantasy about Matt Damon, and some simple visual gags, Flanagan…
4 creative ways to give your CV a digital refresh
If you’re a creative applying for a new position and looking for artistic ways to showcase your work and grab…
Applause: latest success stories
Ozflix Award winners revealed; Curious Dog's economic impact; Tom Malone Prize winner announced; Shortlist for Creative State Commission Grants released,…
'Blackfellas should run galleries'
Artist Vernon Ah Kee believes there is an endemic problem that sits core to our galleries and the way we…
$50,000 regional opportunity for portraiture
The biennial Shirley Hannan National Portrait Award is now calling for entries.
How ArtChain will revolutionise the art market
The art world is embracing blockchain technology but what is this global trend? And why is this Australian innovation leading…
Review: James Ehnes as part of 2018 Great Performers Series
An exceptionally fine performance successfully proposing that ‘less is more’. Presented at the Melbourne Recital Centre.
Review: The Flick at the Seymour Centre
This play is a masterclass in how to pace a drama. Outhouse Theatre’s adaptation of Annie Baker’s The Flick is…
It’s now official: Nick Mitzevich to head up NGA
The son of a Hunter Valley farmer will lead Australia's top visual arts institution into its future. Who is Nick…