National
Review: American Masters 1940-1980, NGA
The National Gallery of Australia had one of the largest acquisition budgets in the world in the 70s. A new…
Creating entry points for non-arts audiences
Converting the general public into arts lovers is everyone’s responsibility, and it’s an area in which festivals, with their range…
Tips for engaging an independent producer
Independent artists sometimes have only a vague sense of how working with a producer might benefit them - or even…
Providing literature to remote communities
Indigenous Literacy Foundation’s The Great Book Swap raises funds for remote Australian communities: you can host a book swap at…
Review: Prize Fighter by Future D. Fidel, Hachette
This is undoubtedly one of the best books published by an Australian writer in a long time.
An art fair is more than just selling art
From a kitty-inspired kids project to talks that tap into a global zeitgeist, site-responsive installations and videos to rival box…
Small town ARIs don't have a problem with small town thinking
ArtsHub spoke with artist run spaces to ascertain whether smaller towns are more receptive to ARIs, and whether it’s a…
Review: National Geographic – Symphony for our World
This production, collated from 130 years worth of National Geographic archival material, is both a nostalgic exercise and a nod…
Turning the heat up on cultural conversations
Absolute Humidity sounds more like a weather app, but unlike the weather, this publication is razor sharp accurate in mapping…
Jacinda Ardern on why the arts need to be universally accessible
New Zealand's Prime Minister and Minister for Arts, Culture and Heritage says art should be for the many, not the…