National
Sector calls for new Artistic Investment Framework to replace MPA Framework
From across the nation, 25 independent, experimental, contemporary and cross-artform organisations have put their name to a joint statement calling…
Not your normal music festival: Mona Foma rejects sexism and homogeneity
Like Launceston’s Cataract Gorge, Mona Foma has broken through cultural fault lines to ensure its first iteration in Tasmania’s north…
How an online journal launched my content career
If you don’t have the skills required to land the job you want, learn them yourself by starting up a…
On the Move: latest appointments and resignations
New appointments for Monash Centre for Theatre, Queensland Music Festival, Symphony Services Australia, Regional Arts Australia, Monkey Baa Theatre Company,…
Review: Invisible Things, Brisbane Powerhouse
Alex Mizzen delivers a commanding circus dance theatre piece in Invisible Things, spellbinding the audience with her one-woman show.
Review: 9 by 5 Exhibition, Walker Street Gallery & Arts Centre
The equivalent of an open mic for artists, 9 by 5 Exhibition places a premium on participation and values diversity…
The revival of the Street Photography fad
From a trend that saw over 10,000 street photos purchased each week in the 1930s, to an archive almost lost…
Review: The Merry Widow, Adelaide Festival Centre
The merriest of widows promises a night of pure pleasure with State Opera of SA and the Adelaide Symphony Orchestra.
How art helps us navigate the complexities of love
Two new exhibitions explore the many varied nuances of love and invite us to engage with stories that celebrate both…
Film Review: Creed II
With this follow-up to 2015’s Creed, the Rocky franchise delivers its first direct follow-up with heft and weight.