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Two Indian women in colourful saris. One is standing, one is kneeling over some woven baskets.
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Theatre review: The Wrong Gods, Belvoir St Theatre

This thought-provoking but not entirely satisfying tale by S. Shakthidharan explores the cost of progress and development in 20th century…

A man and a woman are standing and staring at each other over a kitchen table; a vase of flowers and a pair of bongo drums sit on the table. The wallpaper behind them is colourful and graphic.
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Theatre review: The Lover and The Dumb Waiter, Ensemble Theatre

A double dose of classic Pinter plays.

Scholarships

Australian Institute of Music

2025 International Scholarship

We are pleased to announce that the 2025 International Scholarship is now available to AIM students commencing study in 2025. Scholarship…

Design

Bachelor of Game Development Major in Game Programming

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 In Class

Design

Bachelor of Game Development Major in Game Design

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 In Class

Bachelor of Game Development Major in Game Art

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 In Class

Design, Interior Design

Diploma of Interior Design (MSF50222)

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 In Class

Visual Arts, Photography

Diploma of Photography and Digital Imaging (CUA50920)

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 Online

British countertenor James Laing as the Refugee in State Opera South Australia's 2025 production, 'Flight'. A distressed-looking man dressed in slightly dishevelled, mostly brown clothing, stands in an airport terminal between two rows of uncomfortable-looking metal and plastic seats. The blue-lit panelled wall behind him evokes the bars of a prison cell, while four curving beams of light projected against the walls increase the impression of this man being trapped or avoiding the spotlight.
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Opera review: Flight, Her Majesty’s Theatre

State Opera South Australia’s ‘Flight’ is opera for our times.

A detailed crop from a painting depicting a woman floating in a dark space with her arms outstretched and objects surrounding her.
News

Archibald four-time finalist broke down in tears at winner announcement

“You work your whole career imagining this might happen one day,” says Julie Fragar, winner of the Archibald Prize 2025.

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