Gatz review: it’s The Great Gatsby (Jim) but not as we know it

Gatz, the acclaimed adaptation of F Scott Fitzgerald’s The Great Gatsby, returned to Australia for the Adelaide Festival.

Theatre of Dreams review: dance that channels such stuff as dreams are made on

Theatre of Dreams explored what happens when we close our eyes and drift away.

The CAN Principle review: Jonny Pasvolsky’s hilarious take on hope and can-do hucksters

In his one-man comedy act The CAN Principle, Jonny Pasvolsky shares a quick guide to 'can-lightenment'.

FRESH AS SALT by Dev Hasan | Artist in Residence Exhibition

Hasan uses light, shadow, and sound to slow people down, reveal detail, and inspire adventurous, off-path exploration.

Head of Development

SO(E)WN by Stephanie Doddridge | Artist in residence exhibition

Saved and so(e)wn seeds are a conduit for quiet activism, cultivating sharing, tending climate resilience and growing food security.

Mary Said What She Said review: Isabelle Huppert's masterful turn as Mary Queen of Scots

The French actor delivered an unforgettable and commanding performance in Mary Said What She Said at Adelaide Festival.

Monteverdi's Vespers and Orfeo review: two 5-star baroque masterpieces at Adelaide Festival

Ensemble Pygmalion's performances of Monteverdi's Vespers and the opera Orfeo were baroque masterpieces for a neo-baroque age.

Mary Said What She Said is a stunning solo act

Acclaimed French actress Isabelle Huppert is hypnotic as the doomed Queen of Scots in this Adelaide Festival production of Mary…

The Tiger Lillies review: dead funny cabaret at Adelaide Festival

The Tiger Lillies didn't bring the energy they're known for to this Adelaide Festival performance of Serenade from the Sewer.