Suzannah Conway

Suzannah Conway is an experienced arts administrator, having been CEO of Opera Queensland, the Brisbane Riverfestival and the Centenary of Federation celebrations for Queensland. She is a freelance arts writer and has been writing reviews and articles for over 20 years, regularly reviewing classical music, opera and musical theatre in particular for The Australian and Limelight magazine as well as other journals. Most recently she was Arts Hub's Brisbane-based Arts Feature Writer.

Suzannah's Latest Articles

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Review: L’Appartement, QPAC (QLD)

Murray-Smith’s new play examines some big moral questions with mixed results.

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Review: Nicole Car in Recital, QPAC (QLD)

Intelligent, beautiful singing and playing from masters of their craft, Nicole Car, Étienne Dupuis and Jayson Gillham.

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Review: QSO – The Great Symphony, QPAC (QLD)

Schubert’s masterful Symphony No.9 was a highlight of a challenging Queensland Symphony Orchestra program.

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Review: City of Gold, Queensland Theatre (QLD)

Indigenous playwright Meyne Wyatt’s debut hits the mark.

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Review: Cathedral of Sound, Queensland Symphony Orchestra

Cathedral of Sound offered a program of two marvellous soundscapes of the highest standard.

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Review: Silkroad Ensemble, QPAC

Silkroad Ensemble, founded 20 years ago by acclaimed cellist, Yo-Yo Ma, comprises an ever-evolving group of amazing musicians.

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Review: Sara Macliver in Concert with Camerata, QPAC

The opening concert of Camerata's 2019 season offered an eclectic and interesting choice of repertoire.

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Review: Maestro Series 1: Heavenly, QPAC

Mozart and Mahler – a delightful sound palate of heavenly music.

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Megan Washington & Queensland Symphony Orchestra

Megan Washington presented a great musical palette but failed to engage with the audience.

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Terror

Lyric Hammersmith brings a dark and politically potent work, Terror, to Brisbane Festival for its Australian premiere.

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