Suzannah Conway

Suzannah Conway is an experienced arts administrator, having been CEO of Opera Queensland, the Brisbane Riverfestival and the Centenary of Federation celebrations for Queensland. She is a freelance arts writer and has been writing reviews and articles for over 20 years, regularly reviewing classical music, opera and musical theatre in particular for The Australian and Limelight magazine as well as other journals. Most recently she was Arts Hub's Brisbane-based Arts Feature Writer.

Suzannah's Latest Articles

Four singers in black line up behind each other, first person crouching, so that the heads of each show above the person in front. The man at the back holds up a large perspex bowl full of coloured balls.
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Performance review: Broadway Bingo, Brisbane Powerhouse

An interactive and engaging approach to presenting classic musical hits, Broadway Bingo was a highly entertaining and fun night out.  

A quintet of classical musicians sit on a stage with their instruments, watched by an audience.
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Music review: The Trout, QPAC

In the first concert of Ensemble Q's 2024 season, The Trout delivered impeccable musical standards and expert programming. 

Three opera singers on a stage in front of a set depicting a candy house. A young woman plays a boy, in the middle a man in Japanese attire is in drag as a witch and on the right a woman plays a young girl. Hansel & Gretel.
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Opera review: Hansel & Gretel, St Andrew’s Uniting Church, Brisbane

For its premiere full-scale opera, Voxalis’ 'Hansel and Gretel' offered a well-crafted and entertaining production. 

Loot. Three people on stage look down at a corpse in a coffin, a young man with a moustache, an older grey-haired man and a blonde woman in a nurse's uniform.
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Theatre review: Loot, AdAstra Theatre

Given a strong production and cast, Joe Orton’s celebrated 'Loot' is as relevant today as when it was first written.

James and the Giant Peach. A man dressed in boy's shorts and shirt has two people either side turned towards him and putting their hands on him, they are dressed as insects. They are all on a stage with a big orangey red backdrop and a couple of chairs, which could be representing the inside of a peach.
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Theatre review: James and the Giant Peach, QPAC

A visually splendid production that would have benefited from greater attention to the narrative.     

SSO, season opening gala, image shows an orchestra and focuses on a row of French horn players.
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Concert review: 2024 SSO Season Opening Gala, Concert Hall, Sydney Opera House

Sydney Symphony Orchestra’s Opening Gala offered a marvellous program with exceptional high-quality playing.

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Music review: Umberto’s Mahler, QPAC

A triumphant Mahler 7 opened the Queensland Symphony Orchestra’s 2024 Maestro Series.

A man is seated at a table. A woman is standing above him. They are both in 1930s period costume.
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Theatre review: Gaslight, Playhouse Theatre, QPAC

A revitalised production of Patrick Hamilton's play blends contemporary norms alongside classic thriller tropes with mixed results.    

Features

Professional choral music ensemble wins new audiences in Brisbane

One Equal Music’s 2024 season offers a diverse repertoire of early and contemporary vocal music.

A man playing the piano is on the right hand side, in the background surrounding him are violinists, standing upright. Camerata, Alex Raineri.
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Music review: Camerata and Alex Raineri: Beethoven, QPAC

A classic German program opened Camerata’s powerful 2024 season. 

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