Visual Arts
Jeté across the gap between dance training and professional practice
WAAPA’s LINK Dance Company is a pre-professional ensemble that offers graduate dancers a unique year of transition from education to…
A shift in attitude and attendance for First Nations programming
Statistics are just numbers, except when they impact attitudes, trends and curatorial weight, as witnessed in a string of First…
Nick Cave tackles the question: Is there racism in heaven?
American artist Nick Cave returns to Carriageworks with an exhibition triggered by gun and race-related violence, and yet welcomes Australian…
After the hard work of HSC, get your True Reward
In many undergraduate courses, Western Sydney University’s True Reward program focuses on a student’s performance in specific HSC subjects, not…
Australia’s richest art prize for women is calling for entries
Shift the gender balance and be part of the $35,000 Ravenswood Australian Women’s Art Prize – it’s more than a…
Overcoming common roadblocks to getting started
With any new idea, creative direction, or career path, there are common blocks that stand in our way. Madeleine Dore…
A green light – and top green rating – for Sydney Modern
The $344 million Sydney Modern expansion of the Art Gallery of New South Wales has received planning approval, and Australia’s…
A creative state to be proud of
In the lead up to the Victorian state election on 24 November, the Minister for Creative Industries Martin Foley MP…
The numbers don't add up: a response to the MPA Framework
Instead of taking the opportunity to make our funding frameworks fit-for-purpose, we're being asked to finesse an inherently flawed system…
Review: Supernatural, White Rabbit Gallery
The best work in this exhibition draws from the country’s deeper heritage to create an eloquent throughline for the viewer.