Performing Arts
How verbatim theatre can keep history alive
In retelling the long and often bitter campaign for gay law reform in Tasmania, the new production ‘The Campaign’ not…
Review: Giving up the Ghost, Limelight on Oxford
Grief takes a lot of forms – rarely is it so animated.
Review: The Tap Pack, Sydney Opera House
This show is so full of turbo-charged energy you will be left gasping.
How to make the right creative choices
From trusting your instincts to remaining flexible — here’s advice on making good creative choices and bouncing back from mistakes
Review: A Ghost in my Suitcase, MIAF
Based on the book (and illustrated novel) by Gabrielle Wang of the same name, this is a sophisticated and poetic…
Review: Degenerate Art, Old Fitz Theatre
Degenerate Art rings with Weimar decadence in the direct confrontation of audience, the complexity of movement and the expression of…
Review: Circus Oz Sidesault
During the second week of Circus Oz's festival of experimental circus Sidesault, we were treated to three consecutive, short shows:…
On the move: the latest appointments and resignations
New GM for ATYP, new head of dance for ACPA and other appointments.
ICYMI: this week’s arts news round up
From a new art market platform to a commission to mark the national apology to Child Sexual Abuse, ArtsHub recaps…
Review: Ear to the Edge of Time, Seymour Centre
An enthralling world premiere – Sport For Jove’s current production Ear to the Edge Of Time is superbly written, magnificently…