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The Life and Death of King Lear review: maximal title, minimal production
In this telling of King Lear, Sydney’s Belvoir St Theatre presents a patchy, minimalist version of one of Shakespeare’s great…
Christopher Kulendran Thomas review: rethinking safe zones through AI
In Safe Zone, Christopher Kulendran Thomas uses AI to ask powerful questions about how we record and relate to histories…
Is Olafur Eliasson's environmental-minded summer exhibition so green?
A social media post has erupted in critical dialogue over waste in exhibition making, ahead of Olafur Eliasson’s major exhibition…
William Corlett, King of the Mountains: 'I like the adventure'
Corlett's 500km trail run through the Blue Mountains in NSW is only part of what makes King of the Mountains…
Meow Meow’s Red Shoes review: a cabaret masterclass
You’re never quite sure where Meow Meow's cabaret caper is going, but it's so good you don’t care.
New global standards tabled for museums collaborating with living artists
The International Committee for Museums tables paper on best practices for museums working with artists – ArtsHub takes a look.
On the move: latest arts sector appointments
Your weekly round-up of Australian arts sector appointments.
A peek inside Yumna Kassab's Parramatta Dictionary
Kassab's Parramatta Dictionary project is underway – and what we can see of it so far underscores her range and…
Clarice Beckett and Mirra Whale review: a shared vision across generations
Nearly a century apart, these women artists demonstrate the enduring appeal of the still life at Ngungunggula regional gallery.
Cinderella review: having a ball at His Majesty’s Theatre, WA
The timeless Cinderella tale finds new life in this year's end production by WA Ballet.