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Features

Call me Shorty

The movie script that changed my life wasn’t Howard Koch’s Casablanca. And it wasn’t Charlie Kaufman’s Adaptation. Neither was it…

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Internships exposed

ARTS HUB UK — "When I was instructed on where to buy my boss’s lunch according to whether his hangover…

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Features

A reason for gratitude and hope

Everett Quinton, star alumnus and artistic director of the Ridiculous Theatrical Company, shares stories from his early days as an…

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Features

The New Greek and Roman Galleries at New York’s Metropolitan Museum of Art

The new Greek and Roman Galleries at the Metropolitan Museum of Art are the triumphant result of 15 years of…

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Features

Writing In The Desert

Writer Jan Cornall tells how the red trees and orange canyons of the West MacDonnell Ranges inspired her imagination, and…

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LIT BITS: The publishing glass ceiling

A report recently published by Thorpe-Bowker, the Bloom Report, claims that there is a glass ceiling for women in Australian…

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Opinions & Analysis

Fortune favors the prepared mind

I am an incredibly lucky individual - I get to spend my life creating meaningful cultural objects and, on the…

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In the Company of Actors (aka The Hedda Complex)

Nicholas Pickard is less than impressed with In the Company of Actors, the much buzzed film that follows the Sydney…

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A teasing spectacle

ARTS HUB AUSTRALIA — Moira Finucane, Australia’s very own queen of cabaret bizarre, tracks the rise of burlesque as both…

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John Jones: Framers to the stars

ARTS HUB UK —Down a crumbly driveway, behind the drab tube station at Finsbury Park lurks a rather bland and…

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