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On the move: the latest appointments and resignations
Staff movements and new appointments for Accessible Arts, Tasdance, MIFF, MSO, Glen Street Theatre and The Red Rattler
Five grounding techniques to cultivate resilient ensembles
When creating work that addresses our tumultuous social and political climate, it's important to have processes in place which protect…
How to write a comedy show: 24 comedians reveal their secrets
Comedy festival season is in full swing, so we asked a few comedians to share their creative processes and tips…
Adapting a post-colonial novel to talk about race today
Dominican writer Jean Rhys’ novel Wide Sargasso Sea has been adapted into a radio drama that explores race and gender…
Review: The Children at Sydney Theatre Company
Lucy Kirkwood goes back to the basics of social drama to discuss the complex issue of climate change.
Review: Angella Dravid's Down the Rabbit Hole
An unflinchingly honest telling of an international tryst gone seriously awry, criminal justice and a fake friendship with a serial…
Social practice: embedding art in community
Looking back over 12 years of social practice in Sydney’s West, Curator Anne Loxley speaks to ArtsHub about how C3West…
The women preserving Australia’s feminist history
How can we safeguard feminist works for the future? Several organisations share examples from the past and the present.
Relying on Facebook is not a good idea
AIDC panel unpacked social media algorithm changes as they disrupt indie media.
Review: Ari Eldjárn – Pardon My Icelandic
He’s Iceland’s biggest comedy star, but in a country of 340,000 people, that’s not much of a claim.