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The Elocution of Benjamin Franklin review: landmark 1970s play revived for a new audience
Some 50 years on, The Elocution of Benjamin Franklin remains just as urgent as ever.
The Queensland government interferes with the state’s literary awards – again
The Queensland government has announced the state’s literary awards will move from their current home at the State Library of…
RISING 2026 is dominated by dance and contemporary music
The inaugural Australian Dance Biennale and an expansive music program make up a considerable part of the 2026 RISING program.
Mary Said What She Said review: Isabelle Huppert's masterful turn as Mary Queen of Scots
The French actor delivered an unforgettable and commanding performance in Mary Said What She Said at Adelaide Festival.
Year of the Rooster review: bold costumes and wild buffoonery are not quite enough
The third play in a series dubbed The Beast Trilogy, Year of the Rooster is a visual treat.
On the move: latest arts sector appointments
This week's Australian arts sector appointments include Opera Australia's new Director of Opera.
Dancing in CERCLES: Perth Festival show excels at bringing people together
An epic international dance project spotlighting the power of public dance was one of the greatest achievements of this year’s…
How to embrace 'radical access' in the arts
There's so much to learn from the organisations and allies fighting for more inclusive and accessible arts and screen industries.
Sydney finally has a Cinémathèque – what took so long?
For the first time in decades, Sydney has a cinémathèque dedicated to curated film.
Monteverdi's Vespers and Orfeo review: two 5-star baroque masterpieces at Adelaide Festival
Ensemble Pygmalion's performances of Monteverdi's Vespers and the opera Orfeo were baroque masterpieces for a neo-baroque age.