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Female painter in blue overalls in studio setting. Meg Walch. Tasmania.
Features

Can you sustain a studio practice in Tasmania?

Weighing up the challenges with the wins, ArtsHub speaks with four artists on placing their studio practice in Tasmania.

Woman with grey straight hair and black top standing in art gallery. Julie Rrap.
News

6 women artists over 60 having survey exhibitions

Does age matter? A look at six Australian women artists who are all presenting major survey museum exhibitions.

‘Garage Doors’ by Ruth Woodrow, finalist of 2023 Head On Photo Awards, Landscape Category. A collaged photo of different colourful garage doors arranged in a rainbow spectrum.
Features

Photo competitions: 7 expert tips to stand out

ArtsHub summarises seven tips offered by the Head On Foundation to help photographers stand out in a competition.

Intimate photography is on the rise. Image is a naked woman shot from behind and from the middle of her back down, sitting on the floor with her arms held out to her side and bathed in a warm sunny glow.
Features

Intimate photography: the new therapy?

Photographers are enjoying a rise in nude, boudoir and intimate photography. But the results are surprising everyone.

Michael Najjar, ‘Arctic Vault’, 2023 from the series, ‘Cool Earth’. Photo: Courtesy of the artist. A concrete vault in the middle of melting ice and a barren landscape.
Features

4 future-focused photographers to watch

Four photographers each approaching the topic of ‘the future’ through different lenses.

white robotic art against black backgrounds. Future arts jobs.
Features

My arts job in 2030

Have you hedged your bets correctly? Does your job have a future – or a different future? ArtsHub takes a…

Emil Cañita. A gloryhole made from a timber board reveals a seductive half-opened mouth with red lipstick and framed by black lace.
Features

At First I was Afraid: intimate and vulnerable photographs pay tribute to William Yang

Yang's works inspired Emil Cañita, who will soon be presenting their first solo exhibition at MARS Gallery.

Jahkarli Felicitas Romanis, ‘Burnt’ (cropped) as part of ‘Dis(connected) to Country’. Photo: Supplied. A photographic work showcasing the portrait with no facial features, overlayed with the red desert landscape.
Features

(Dis)connected to Country: mapping the intersections of place, identity and family

Jahkarli Felicitas Romanis interrogates the possibility of self-determination through photography.

Work by Tace Stevens showing as part of group exhibition ‘Only the future revisits the past’ at Centre for Contemporary Art as part of PHOTO2024. Image: Supplied. Photography work that captures a residential shed in the glow of early evening sunset. The shadow of two figures are reflected onto the wall of the building.
Features

Only the future revisits the past

The Centre for Contemporary Photography’s upcoming exhibition for PHOTO 2024 looks towards the past to speculate on future possibilities.

Installation view of ‘Telly Tuita: Tongpop’s Great Expectations’ at Campbelltown Arts Centre. Photo: Jodie Barker. Installation and photography works inside a spacious gallery with sky blue walls.
Features

Self-representation and cultural references in the work of Telly Tuita

Telly Tuita’s solo exhibition signifies a full-circle moment.

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