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A dark room full of mirrors lit only by the colourful blue and yellow lights scattered in oceanic patterns across the floor.
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Immersive VR wonderland: Bubble Planet Experience Sydney prepares to touch down

Explore an enormous bubble bath ball pit, a glowing undersea LED room and a fully immersive VR room at Bubble…

A gallery space with two video screens showing street scenes.
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Exhibition review: Amongst the clouds, Artspace

An interactive, multimedia experience, ‘Amongst the Clouds’ is far removed from traditional concepts of art exhibitions.

Woman in white dress crouching on floor in shadow, black and white.
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Introspective and spiritual, Buxton Contemporary's new exhibition, The Veil

Runs from 27 June to 1 November 2025.

Lady stands in front of exhibition of surf images hung on wall.
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Flotsam Festival is surfing along the Gold Coast

The annual festival returns in May with a whirlpool of film, photography, and surf.

Small deconstructed speakers dangling from the ceiling above a round weaved floor mat. Aluminium containers are placed around the corner of a black wall to the back.
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Exhibition review: Signal to Noise, National Communication Museum

Noise has accompanied every technological development; will we ever be free from its static?

Van Gogh's The Starry Night displayed across the walls and floors of the LUME.
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THE LUME headed for permanent closure in June

After five years and a series of innovative immersive exhibitions, THE LUME is closing the doors of its Melbourne venue.

Paintings of skulls on discs set against a wall.
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Exhibition review: Danie Mellor: marru I the unseen visible, Queensland Art Gallery

North Queensland multidisciplinary artist, Danie Mellor, explores Australia’s shared history in a powerful new exhibition. 

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Vivid Sydney 2025 program, freshly released and packed

For its 15th anniversary, Vivid Sydney dares to dream with its new theme.

Isabel & Alfredo Aquilizan, 'REFLECTIONS/HABITATIONS', 2025. Installation view, 'Thinking together: Exchanges with the natural world', Bundanon, 2025. A large sculpture made from recycled cardboard in minimal gallery setting. Aquilizan
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Exhibition review: Thinking together: Exchanges with the natural world, Bundanon

An exhibition that communes with nature in surprising and disparate ways.

Emily Imeson, ‘Floating QLD Waratah turned Flame Tree Season,’ 2021 (detail), recycled timber, acrylic on canvas, thread, batik earth-stained cotton, 210 x 240cm. Courtesy of the artist. A photo of a forest-themed artwork, including a curved piece of wood which helps frame the image.
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Strong like the forest: how a regional gallery’s ecosystem connects artists and community

Guest curator Christine Willcocks discusses the environmental and creative themes behind the Grafton Regional Gallery exhibition, ‘True North: From the…

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