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Washington DC. A gallery space with large red and white installation of phrases, including WHOSE BODY? and WHOSE BELIEFS? diagonally up the sides of escalators and WHOSE POWER? on the back wall. Another incomplete sentence is on the floor, and a young boy looks on with his back to us from the bottom left corner of the frame.
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Postcard from Washington DC

ArtsHub takes a trip to the US capital, and finds much more than politics...

A silver CD case is opened to display the rare 2-CD set it contains.
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Wu-Tang Clan’s ultra-rare album-as-artwork comes to Mona

Originally sold for US$2 million, the ultra-exclusive ‘Once Upon a Time in Shaolin’ is coming to Mona, and fans have…

Canberra Museum and Gallery. A group of metal cylinders in shades of bronze and blue patina are grouped against a white brick wall. The one on the far left is bubbly at the top as if it has been underwater or in an acid bath.
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The slippery nexus between sculpture and design and the agency of materials

Canberra Museum and Gallery has a new exhibition: Materiality… but not as we know it.

Gallery gift shop. Wooden box opened to reveal a brass sextant inside.
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Exit through the gift shop

There's an undeniable link between the art and the commercial in gallery stores. ArtsHub takes a look at some of…

The portrait, among two other works of Gina Rinehart, are reproduced in Vincent Namatjira's monograph. Image: Supplied, courtesy Thames & Hudson.
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Gina Rinehart pressures NGA to remove portrait by Vincent Namatjira – now the whole net is searching for it

The work was previously shown in 'Vincent Namatjira: Australia in colour' at AGSA, with the current exhibition set to run…

'JXSH MVIR: Forever I Live', installation view at Koorie Heritage Trust. Left to right: 'The Heart', 2016; 'Oxymoron', 2015; 'William Buckley - Maquette', 2016 (mixed media sculpture); 'Still Here', 2015; 'The Empire', 2015 (top); 'Ticket to Projection', 2015 (middle), 'Skip to my Lou', 2015 (bottom). Photo: ArtsHub. Digital illustrations of Melbourne landmarks with red, black and yellow background hang on the walls. In front of them is a small sculpture of a human figure on a bright yellow plinth.
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Exhibition review: JXSH MVIR: Forever I Live, Koorie Heritage Trust

When kinship is involved – it shows.

Linda Judge. Bayside Painting Prize. Image is a painting of a short grey-haired woman in a black round neck top holding up a loosely woven grey textile in front of her.
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All in the family: the winning painting touches on matters of mortality and motherhood

Linda Judge has won the 2024 Bayside Painting Prize.

Woman in blue suit outside Museum of Contemporary Art Australia. To the right of her is a huge patterned arrow on the wall pointing down to the ground.
Features

When you need to change to get it right

The MCA has worked with its challenges – and in sync with museum trends globally – to rethink its future.…

'In Transit' by Yona Lee at Fine Arts Sydney, Art Basel Hong Kong 2024, Discoveries section. Photo: ArtsHub. People gathering around a booth with stainless steel installations that make up a seemingly domestic setting, with benches, an outdoor umbrella, and fairy lights.
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Australian reflections on Art Basel Hong Kong 2024

ArtsHub speaks with Australia-based galleries on their perspectives of attending Art Basel Hong Kong this year, from first-time participants to…

Taipei Dangdai, Evoke sector. Anne Samat, ‘Never Walk In Anyone's Shadow,’ 2023, Rattan sticks, kitchen and garden utensils, beads, ceramic, metal and plastic ornaments. Photo: Brian Holcombe. Image: Courtesy of the artist and MARC STRAUS. A large colourful installation that appears like a folk monument against a grey background.
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Strengthening regional connections through Taipei Dangdai

Taipei Dangdai art fair will present its fifth edition in May with two Australian galleries travelling to the Taiwan capital.

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