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ArtsHub speaks with the inaugural Bankstown Biennale Curators
The 2020 Bankstown Biennale is more than a COVID project. It's an artist-led rethinking of Western Sydney, and the value…
ACMI renews digital promise in virtual launch
Is the Australian Centre of the Moving Image a place? A Zone? A Cultural Accumulation Machine to defy COVID-19? First…
Visual Arts Review: A Promise – Khaled Sabsabi, AGNSW
Sabsabi has the capacity to provoke deep questioning of our own racial, religious and political positioning without ostracising the viewer…
30 semi-finalists announced for Artists of Colour Initiative
A crowd-sourced prize pool will be distributed among six finalists, who will also be in the running for a Diploma…
New Greek museum in Melbourne aspires to being a world class destination
A collaboration between the Benaki Museum in Athens, property developer ISPT and the Hellenic Museum aims to open a local…
Performing Arts Review: Venus and Adonis, St David’s Cathedral (TAS)
Theatre reinvents itself through lush, sexy storytelling in a sacred space.
The Time to Tell
As media cycles and social media mix the messages of our times, David Pledger argues that artists have a unique…
Book Review: The Mission House by Carys Davies
Davies’ novel seeks to make connections with faith and nationalism in contemporary India.
Calling out media's lack of diversity
Kiwi choreographer Parris Goebel thinks we can all 'do better' on diversity and representation and isn't afraid of calling out…
Performing Arts Review: The Cowgirl and The Showgirl Ride Again, Her Majesty’s Theatre (SA)
After six months of little live music and few events in South Australia, this Adelaide Festival favourite is back new…
