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Creating COVID-safe super venues and sharing the stage
While the conditions for opening up theatres may not be ideal, they beat another half-watched livestream playing to a handful…
Book Review: Bad Boss by Michelle Gibbings
With Bad Boss: What to do if you work for one, manage one, or are one, Michelle Gibbings demonstrates a…
A career defining opportunity in Utopia
Despite shaping the Aboriginal art market since the 1980s, Utopia is only now building a dedicated art centre – and…
Why we need the joy that art provides
The 2020 Brisbane Festival aims to 'surprise and delight' its audience, says Artistic Director Louise Bezzina.
20 questions you've always wanted answered by a curator
To celebrate Ask A Curator Day, we posed 20 questions to 20 curators nationally, touching on topics from ethical responsibilities…
7 peak orgs on Disablity Arts - making and taking space are not the same
Arts access sector and disabilities-led conversations need wider sector commitment beyond ticking boxes to create genuine spaces at the table.
Book Review: Show Me Where it Hurts by Kylie Maslen
Kylie Maslen’s 'Show Me Where it Hurts' is a provoking and much-needed contribution to the conversation about invisible illness.
On the Move: Latest sector appointments and departures
Information + Cultural Exchange appoints new Producer, First Nations Programs; new staff join Writers SA; Artistic Director and Curatorium announced…
What will online audiences pay?
New conversations about paying for online events and how habits are changing raise ongoing questions for the arts.
Book Review: The Language of Butterflies by Wendy WIlliams
This non-fiction work takes a social, historical, and ecological look at the world's favourite insect, and the little known figures…
