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Off the road: why Australian roadies are at breaking point
Roadies are responsible for getting touring bands on and off stage, and around the country. They’re also at much greater…
Ministerial meddling in arts funding met by sector outrage
NSW Arts Minister Don Harwin went against Create NSW recommendations and reallocated $404,000 in funding, earmarked for 11 organisations and…
Review: 19 Weeks, Melbourne Fringe
A courageous and necessary autobiographical work that takes a look at human fragility, vulnerability and the taboo of abortion.
How philanthropy is encouraging creative risk-taking behind the scenes
As arts funding becomes harder to obtain, the role of philanthropy in supporting the creative developments of more challenging projects…
Applause: latest funding and awards announced
Hurford Hardwood Portrait Prize People’s Choice Award winner announced, shortlist for NSW and Artspace Visual Arts Fellowship revealed, Rigg Design…
Review: Dancenorth's Dust, Brisbane Festival
A powerful piece of contemporary dance that flirts with potentially heavy-handed imagery but never succumbs to the obvious or the…
How to care for your queer playwright
If we only focus on developing art that is readily consumable, we risk contributing to a homogenous theatre.
Review: In Between and Sexpectations, Sprung Festival
Charles Sturt University’s Theatre/Media studies students have wowed audiences once again with two new ‘Sprung Festival’ productions – In Between…
Review: Stalker the Musical, Depot Theatre
STALKER THE MUSICAL. It’s an arresting title. Slightly misleading though and the audience’s disambiguation of the word is all part…
Review: Séance, River of Light, Life – The Show, Brisbane Festival
Impressions of three very different events at this year’s Brisbane Festival, ranging from a homage to horror and a retelling…