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How dance connects First Peoples on the world stage
The opportunity to explore cultural connections goes well beyond the sharing of art – it connects with cultural values; our…
Review: Death by Soprano, Riverside Theatres
Isabel Hertaeg is terrific in a production perfect for opera fans and those new to the artform alike.
Funding rejection dismays Tasmanian theatre sector
The latest Arts Tasmania funding round rejected all applications by professional theatre companies, threatening the sector’s viability in the state.
Why flexible workplaces are better for organisations' bottom line
Progressive workplaces improve staff productivity and staff retention says Chair of the Equal Workplaces Advisory Council, Liberty Sanger.
Review: The Gruffalo, Athenaeum Theatre
The show is beautiful and there wasn’t a child there who didn’t seem to enjoy the performance.
The Sydney Opera House is not a billboard – sector speaks out
Anger across the sector as NSW Premier orders the Sydney Opera House to be used for horse racing advertisement –…
Creatives have the power to change politics NOW
Claiming a formerly safe Liberal seat will create greater visibility for art and culture. The Arts Party head to the…
Applause: latest funding and awards announced
Finalists revealed for the Shirley Hannan National Portrait Prize and Rob Guest Endowment, Ursula Hoff Fellowship announced, and many more…
On the move: the latest appointments and resignations
New CEO for SALA, new Marketing head at Bundanon, and Adelaide Fringe Ambassadors announced.
Review: Lexicon, Melbourne International Arts Festival
Wales-based NoFit State's circus show, Lexicon, opens with ruckus as spit balls are thrown about and the class runs amok.
