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Moving forward – a clearer vision for the Arts in Victoria
In the lead up to the Victorian state election on 24 November, the Shadow Minister for the Arts and Culture…
Artists at the pointy end of Ballarat Biennale’s financial over-commitment
Social media attack or real concerns? ArtsHub examines this week’s news of BOAA’s alleged financial mismanagement, which has resulted in…
Review: The Dance of Death, Belvoir
Playing at Belvoir, this new production of Strindberg’s 1900 classic play, is an increasingly macabre waltz steeped in the chant…
Review: Die Meistersinger von Nürnberg
Opening night was musically magnificent thanks to a talented local cast bolstered by two splendid German imports and Orchestra Victoria,…
Embracing risk: moving interstate to further your career
Theatre-maker Steven Mitchell Wright and dancer Ngioka Bunda-Heath discuss their respective decisions to leave Brisbane and embrace Melbourne as their…
Review: Bespoke, Brisbane Powerhouse
Queensland Ballet’s contemporary season of Bespoke at Brisbane’s Powerhouse delivers a highly energetic outstanding production. A quintessential narrative of modern…
5 ways a human rights degree can shape your career path
Enrich your career by delving deeper into philosophical debates, cultural systems and global theories, and let learnings from different perspectives…
An open letter to the Board of Regional Arts Australia
Theatre-maker Jim Lawson calls on the Board of Regional Arts Australia to be ambitious in seeking a significant increase in…
Review: The Norman Conquests, Ensemble Theatre
If you’re looking for a great night out at the theatre, a chance to laugh, and a peek back into…
Review: Lixsania and the Labyrinth, Melbourne Recital Centre
Lixsania and the Labyrinth blazes a maverick path, fusing baroque virtuosity with zealous lusty physicality of contemporary Tango, twisting expectations.
