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Why I left my art gallery
ArtsHub speaks with artists Luke Cornish (aka ELK) and Zoe Young on why they stepped away from gallery representation, and…
Rebelling against the norm to thrive as a creative
At Pause Fest’s Why Creativity Matters panel, professionals from fields including advertising, design and technology discuss the value of being…
$500,000 grant round open for Indigenous Contemporary Music Program
Applications are now open for a $500,000 grant round as part of the Indigenous Contemporary Music Program aimed to support…
Exhibition Review: Adelaide//International, Samstag Museum of Art
Speculations on the future, and our complicity in it, are at the heart of these four exhibitions featured at Adelaide…
A catalyst for the Aboriginal art market, Papunya Tula turns 50
Christopher Hodges was one of the first Australian art dealers to represent and champion contemporary Aboriginal artists. Here, he reflects…
ICYMI: The week's top news in the arts
Sculpture by Sea needs help, life drawing on opera stage, WA's Fringe World outcome, QSO goes bush to perform, La…
How the New Normal needs to become the Future Normal
While COVID brought us new conversations around digital pivots and hybrid working models, the real future normal is how to…
Exhibition Review: Botticelli to Van Gogh: Masterpieces from the National Gallery London
Australia’s first major international exhibition since border closures began, Botticelli to Van Gogh is impressive.
Art world to farewell MCA director Elizabeth Ann Macgregor
After 22 years at the helm, taking the Museum of Contemporary Art Australia from near insolvency to international acclaim, Elizabeth…
Q&A: Artist Wiliiam Yang on growing up gay and Chinese
He has been described as "the storyteller", blurring the boundaries of performance, photography and text to explore sexuality and identity…
