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Carmen review: a new look for a classic opera at Sydney Opera House
One of the most famous operas of the 19th century gets a 21st century makeover.
Opera review: Aphrodite, Carriageworks
A collaboration between the Sydney Chamber Opera and Omega Ensemble that favours cerebral engagement over emotional impact.
Opera review: Samson & Delilah, Palais Theatre
Engaging musical performance meets middling narrative delivery in this traditional interpretation of an ancient story.
Opera review: Flight, Her Majesty’s Theatre
State Opera South Australia’s ‘Flight’ is opera for our times.
Opera review: Innocence, Festival Theatre, Adelaide Festival
A complex and multilayered production about collective guilt and trauma that deployed different languages and singing styles.
Performance review: Opera for the Dead (祭歌), Asia TOPA 2025
A cyber-opera that deserves the world stage.
Opera review: Candide, Joan Sutherland Theatre, Sydney Opera House
Bernstein’s crowd-pleasing comic operetta will have audiences laughing at the absurdity of extreme ideas.
Opera review: Die Meistersinger von Nürnberg, Royal Exhibition Building
Melbourne Opera stays well within its comfort zone for Wagner’s epic comedy.
Opera review: La Traviata, Opera Australia, Joan Sutherland Theatre
Soprano Samantha Clarke ignites this current production of Verdi's masterpiece.
Opera review: The Barber of Seville, Joan Sutherland Theatre, Sydney Opera House
Fast-paced and hilarious, Opera Australia’s 'The Barber of Seville' will please opera buffs and newcomers alike.
