Search Results
MSO’s new Chief Conductor wants to make music for all
Having been exposed to the power of music as a child, Jaime Martín is determined to share that gift with…
Creative career progression in the arts
Why leave an organisation you love if a new role (and a new challenge) can be created for you internally?
Digital performing arts – not just for COVID, but the future
Live arts from home seems like a sugar hit for the times, but evidence shows we’re signing up for longer…
Story vs song: juggling the needs of different narrative forms
The narrative needs of theatre and songwriting can differ significantly, so how do you go about fusing them together in…
Balancing the scales of women’s representation in fine music
She Speaks, a day of concerts and conversations presented by the Adelaide Symphony Orchestra, celebrates the works of female composers…
15 years of amplifying Tasmanian voices
Established in 2006, Tasmania Performs remains agile and responsive, and dedicated to developing Tasmanian artists and showcasing their stories to…
Exit interview: Kris Stewart, Brisbane Powerhouse
After eight years and 2,5000 productions, Kris Stewart has left the Powerhouse to take on a new role as CEO…
Introducing new Music Tasmania CEO Keith Deverell
Taking on the challenges of helming an arts organisation in the wake of the pandemic was a chance for Keith…
Staging COVID-safe arts events outdoors
Sarah Neal, Executive Producer and Co-CEO at Malthouse Theatre, and Glyn Roberts, Artistic Director of the Castlemaine State Festival, share…
Inspiration during isolation: The long-term benefits of artist residencies
From playful figures to bathtub performances, artists are using the intense residencies of their past to create unexpected new works…
