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Review: Deakin University Contemporary Small Sculpture Award 2018
Small in scale but large in imagination, these 40 forms provide an overview of the best of contemporary sculptural practice…
Review: Next Lesson, Queer Fringe @ The New
This well acted and directed production puts forged rights on stage in an emotional and warm reminder that the parallel…
Review: Injury Time by Clive James, Picador
These beautiful poems are proof that Clive James has made good use of the extra time he has been allotted.
Applause: latest funding and awards announced
HOTA announces photography awards finalists, recipients of Freedman Foundation Scholarship winners announced and finalists announced in $60,000 Melbourne Prize for…
How art museums finally opened their eyes to Australian women artists
The advent of second wave feminism resulted in a long-overdue re-appreciation of the works of Vida Lahey, Margaret Preston, Grace…
Why the arts sector needs to let Australia’s First Peoples lead
In his keynote speech at the recent PAC Australia conference, Dr Richard Walley OAM urged arts leaders to step back…
More than beauty; shattering preconceptions about the make-up industry
The make-up industry is going through a revolution – and NIDA’s Diploma of Screen and Media (Specialist Make-up Services) is…
Why alone time is essential for creatives and how to prioritise it
Alone time is an essential part of the creative process, but can often be neglected or interrupted. Here's how artists,…
Review: Newcastle Theatre Company's Constellations
Newcastle Theatre Company has again delivered a theatrical production of high quality, and their pool of actors are impressive.
Review: Kilter, There, Pining for Affection, Melbourne Fringe
New circus, a remounted theatre work, and a musical comedy about a talking tree: three works hint at the breadth…
