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ICYMI: A wrap of this week’s arts news
From Queen's Honours to new cultural precincts in Tassie and conferences and festivals announced, it was a busy but short…
Is there still a digital opportunity for cultural institutions?
In their rush for 'digital transformations', cultural institutions may have lost important experiences and missed their chance to be more…
What Jessica Bridgfoot has planned for Bendigo
Announced as incoming Director of Bendigo Art Gallery, Jessica Bridgfoot has a clear vision for growing the gallery, despite her…
Review: A Forest, Dark Mofo (TAS)
Featuring works by a range of artists, A Forest is like a giant crumbling 21st century haunted house for adults.
Review: Bangarra: 30 years of sixty five thousand, Sydney Opera House
A showcase of the extraordinary athleticism of Bangarra's dancers and a celebration of their rich history in this land.
Review: RocoColonial, Hazelhurst Arts Centre
Artist and curator Gary Carsley presents a political and aesthetic mash up of two of the great historical moments, but…
MUP appoints Nathan Hollier as CEO
Nathan Hollier moves from Monash to take the reins at Melbourne University Press.
Review: NOCTURNAL + MIJF, Melbourne Museum
A night of jazz brought intimacy and excitement to the museum space.
Review: Michael Pignéguy, The Jazzlab/MIJF (VIC)
A night of jazz that says ‘jack of all trades, master of …’.
Review: Julie Gough: Tense Past, TMAG (Dark Mofo)
The power of juxtaposition adds weight to an already potent exhibition at the Tasmanian Museum and Gallery.
