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Bombshells

A striking series of monologues examining life from a female perspective, featuring a bravura performance by a performer at the top of her game.
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Much loved theatrical performer Sharon Millerchip (Love Never Dies, Chicago, Into the Woods) gives a magnificent performance in this terrific play by Joanna Murray-Smith.

Bombshells is a striking series of monologues examining life from a female perspective, and featuring six characters of various ages and experience, each of whom has a distinctive ‘voice’, accent, and a secret neurosis or two.

The script – a judicious blend of hilarious one-liners and exquisitely lyrical and moving passages – is witty, challenging and at times extremely revealing. Millerchip is always in control; she clearly knows how to handle her audience (at times you could have heard a pin drop, at others we were doing a Mexican wave and singing along).

In the opening sequence we meet Meryl, a stressed and anxious mother running on empty, with no time for herself. Next is the romantically devastated Tiggy, outwardly posh and elegant, giving a speech to a cacti-fanciers club and intimately revealing her painful marriage breakdown. (Tiggy’s speech blurs the borders between inner and outer selves – is what we hear in her head or is it really spoken aloud?) Then, hilariously, comes Mary, a schoolgirl talent quest entrant (all dressed up to do a Cats tribute and bravely improvising to Isaac Haye’s ‘Shaft’).

We also meet the stunning but vulgar Theresa, a foul-mouthed and jittery bride on her wedding day who is having second thoughts. Next comes Winsome, a widow who reads to the blind – a magnificent performance with some very hot and steamy ‘purple passages’, but also a poignant performance of an older woman’s rediscovery of her sexuality. And finally there’s Zoe, a washed-up cabaret star attempting a comeback (what a fabulous, glamorous black dress!) with lashings of Deitrich and hints of Garland and Piaf.

Lindsay Partridge crucially contributed as the pianist for Zoe’s set in a delightful performance.

The set is flexible, a neutral coloured multi-panelled design and a couple of chairs that move from location to location, including a dining room, a green room and a cabaret bar.

The pauses and set changes between monologues were perhaps a little unwieldy, and the sequence featuring the character of Zoe was possibly a fraction overlong, but with such fantastic triple-threat talent as Millerchip on stage, these are very minor quibbles indeed.

Featuring a bravura performance by a theatrical diva performing at the top of her game, the standing ovation at the end of Bombshells was richly deserved.

Rating: 4 stars out of 5

 

Bombshells

By Joanna Murray Smith

Starring Sharon Millerchip

Director: Sandra Bates

Assistant Director: Nicole Buffoni

Designer Marissa: Dale-Johnson

Lighting Designer: Tony Youlden

Original music composition: Max Lambert

Additional music composition/Music Arrangements/Pianist: Lindsay Partridge

Choreography: Nicole Buffoni/Sharon Millerchip

Running time: 2 hour 30 mins (approx) including one interval

 

Ensemble Theatre, Kirribilli

14 March – 13 April

Lynne Lancaster
About the Author
Lynne Lancaster is a Sydney based arts writer who has previously worked for Ticketek, Tickemaster and the Sydney Theatre Company. She has an MA in Theatre from UNSW, and when living in the UK completed the dance criticism course at Sadlers Wells, linked in with Chichester University.