Yirra Yaakin revisit King Hit

Originally staged in 1997, this critically acclaimed play strikes at the very heart of the Stolen Generation.
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Clarence Ryan in Yirra Yaakin’s King Hit. Photo by Simon Pynt.

Geoffrey Narkle and David Milroy’s compelling King Hit is based on Narkle’s own life as a boxer dubbed ‘the Barker Bulldog’, and explores the impact on an individual and a culture when relationships and family bonds are brutally broken.

Forcibly removed from his family, Geoffrey was raised on Wandering Mission before leaving to join Stewart’s Boxing Troupe, where he travelled the South West as a tent boxer. Ultimately it was his fighting spirit which gave him the strength to turn away from a downward spiral of despair, finding peace within and reconciling broken family bonds.

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Richard Watts is ArtsHub's National Performing Arts Editor; he also presents the weekly program SmartArts on Three Triple R FM, and serves as the Chair of La Mama Theatre's volunteer Committee of Management. Richard is a life member of the Melbourne Queer Film Festival, and was awarded the status of Melbourne Fringe Living Legend in 2017. In 2020 he was awarded the Sidney Myer Performing Arts Awards' Facilitator's Prize. Most recently, Richard was presented with a Lifetime Achievement Award by the Green Room Awards Association in June 2021. Follow him on Twitter: @richardthewatts