Why John Mawurndjul’s barks are so contemporary

A major survey exhibition tracks a 40 year career, and looks at how an artist has changed the perception of bark painting nationally and internationally.
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Installation view of lorrkkon (log coffins) in the exhibition John Mawurndjul: I am the old and the new (2018) at Museum of Contemporary Art Australia. Photo: ArtsHub.

Bark painting is usually perceived as a traditional art form, one with origins over 65,000 years old. It is probably not what you expect to find visiting one of Australia’s most cutting edge contemporary art museums. But the Museum of Contemporary Art Australia (MCA) has just unveiled a major survey of John Mawurndjul’s work that situates bark painting at the very heart of contemporary art practice.

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Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina