Has digital debunked the book fair?

With the pandemic closing down major events in the publishing industry, the virtual book fair offers advantages and challenges.
Several customers browse a table of books

‘Ask anyone who trades the international rights to books to name the most important days in the rights calendar and, despite technological developments creating a more connected world than ever before, they’ll say the Frankfurt Book Fair,’ says Airlie Lawson.

Having been doing it for twenty years, Lawson is well positioned to take a look at how the virtual book fair has altered the landscape of trading rights – and what that might mean for Australian authors and publishers in a post pandemic market.

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Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina