Arts in the aftermath

For five years, performing arts organizations have been attempting to change a rather glaring imbalance in FEMA crisis policy. Now, after continued pressure on members of Congress by a group of performing arts organizations, a new bill means that FEMA will finally include non-profit performing arts centers in its disaster relief funding.
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For five years, performing arts organizations have been attempting to change a rather glaring imbalance in FEMA crisis policy. Now, after continued pressure on members of Congress by a group of performing arts organizations, a new bill means that FEMA will finally include non-profit performing arts centers in its disaster relief funding.

FEMA, of course, is the acronym for the Federal Emergency Management Agency. Despite the continued controversy surrounding the agency, FEMA remains responsible for providing necessary accommodations to citizens following a federal emergency and is also integral to the survival of affected not-for-profits. But up until recently, not all non-profit organizations were treated equally.

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Howard Emanuel
About the Author
As an actor, Howard Emanuel has appeared across the USA in regional theatres ranging from The Paper Mill Playhouse and The Shakespeare Theatre of New Jersey to the Pittsburgh Civic Light Opera and Houston's Theatre Under The Stars. As a playwright, he has recently completed his first full-length work, Last Supper. As a novelist, his urban fiction manuscript, Naked Angels, is currently being shopped to various publishing houses. He is currently hard at work on his second and third plays. He holds a B.F.A. in Acting from New York University, Tisch School of the Arts.