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Showing all Professional Development education news in Features
From indie artists to state companies, even the most skilled arts administrators are sometimes faced with catastrophe. What can we learn from disaster?
Arts organisations are ‘snow blind’ with demographic data that fails to explain what really makes audiences buy tickets. There is a smarter alternative.
Monetising your art might kill your creativity.
A new kind of gallery space is emerging, straddling the distance between the traditional commercial gallery and the artist-run not-for-profit.
Young workers expect older colleagues to get out of the way, freeing up jobs and ceding key cultural spaces.
Some of the world's most successful people read voraciously. But can mere mortals do it too?
You can't future proof your job but you can prepare yourself to thrive in the work economy of the future.
From gallery openings to the ritual of post-show drinks, alcohol saturates the arts. How can we lessen the damage grog is doing to our sector?
The psychological benefits of art work best when audiences slow down but galleries struggle to stop the rush.
We know people are more likely to hire people like themselves. So how do we break a pattern where Artistic Directors and Gallery Directors are mostly male, even though women are the majority of arts industry workers?
Funding programs such as Catalyst encourage cross-cultural collaboration, but there’s more than language barriers to consider when embarking on such projects.
Ears pricking up with all this talk of podcasts? We’ve prepared a primer on the what, where and how of podcasts.
For a touring production, every sequin, wig and set is packed, tracked and shipped around the country.
Longevity can seem an elusive concept in the current arts funding climate, so we asked a few established organisations to share their experiences of success.
Local government is a key source of arts funding for many; here are some tips on optimising such relationships.
No incense, chanting, or lotus positions required.
Although cities get the lion’s share of funding, regional towns are home to many of Australia most creative people.
Regulation and bureaucracy are sucking creativity out of public art in Australia. It’s easier to work overseas.
CGI is close to being indistinguishable from the real thing. Could actors find themselves auditioning against a dead or imaginary competitor?
A lot of creative freedom can be found in doing something for pleasure, without letting it define you.
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