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Showing all news in Features
Cross media is no longer angry. It’s becoming a force to be reckoned with in the media landscape, not only impinging on traditional media but also becoming a powerful tool in promoting it.
The NSW Film and Television Office (FTO) and Film Victoria indulged in a bit of a duel-by-script-initiative at the National Screenwriters' Conference. Both agencies promised to rearrange their develo
Before opening a completely charming discussion with Andrew Knight about the writing of ‘Kenny’, Clayton Jacobson produced some very sobering numbers.
Australia's smallest pay television operator, SelecTV, is part of the WIN Corporation. Now it is peering into the future at some owned and operated channels.
Screen Australia terms of trade are out and up on the web. This is the media release. We will, of course, have more for you as soon as it is available.
Matchbox Pictures, the production company formed late last year when Tony Ayres, Helen Bowden, Penny Chapman, Michael McMahon and Helen Panckhurst got together, is looking to expand into long run tele
According to panellist Leanne Pooley, when it comes to interviewing subjects for documentaries, Craft + Art = Magic. It's an easy formula to agree with, but like most things that look easy it's not an
Beyond International Limited has acquired the business and assets of Magna Pacific Pty Limited (Magna) from the receivers of destra Corporation Limited, KordaMentha Pty Ltd. They paid $4.3 million in
Despite a contraction of global marketing spends, there was an overwhelming optimism amongst speakers at the Screen Producers Association of Australia (SPAA) forum on 'Branded Entertainment' yesterday
Love it or loathe it, branded content gets made in Australia, and Seven's David Leckie today confirmed that it would be part of the mix on their new digital multichannels.
Mario Andreacchio, devoted proponent of family pictures, maker of 'Napoleon' and 'Elephant Tales', has now become a cinematic guinea pig.
About eighteen months ago, I put on my ScreenHub uniform and attended the last DocNZ Summit. It''s now moved to what will become its regular slot on the calendar, following close behind AIDC (in a str
One and half years in development and now,only weeks out from opening night... suffice to say that Big hART’s Tasmanian contingent - This Is Living - is wound up and ready to go. Actors and artists are on their way south from around the Country to join the 301 strong theatre company, as we kick off rehearsals in preparation for Ten Days on the Island - Tasmania’s international festiv
One of the most interesting aspects of the Australian International Documentary Conference is getting a chance to see all kinds of documentary styles. Clips flicker on screens at almost every session
In film, the audience is years away. In television, it hides behind the ratings. In self distribution, you can chase them down, wabbit by wabbit, so they give you a tiny piece of lettuce. But at least
Low budget, privately financed, and meeting distribution prices, Crush has done well enough that its investors are up for a second film – before the first one has been released.
At the end of the production process is sound post. At the end of the contract is deliverables. When they get together, you may need a ninja and your audio heroes may spring from the shadows...
Once we had researchers and a career path in documentary. Then (let's be honest) we stopped making films that needed extensive research. Now we have the internet. When webcams get better, we will neve
In Australia, serious development of the broadband opportunity means the ABC, which can draw on the experience of other public broadcasters, aka the Beeb. Unfortunately, broadband in Australia is a bi
Just to let you know, Nikki Finke is liveblogging the Oscars and it won't be a pretty sight. Heh.
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