Suzannah Conway

Suzannah Conway is an experienced arts administrator, having been CEO of Opera Queensland, the Brisbane Riverfestival and the Centenary of Federation celebrations for Queensland. She is a freelance arts writer and has been writing reviews and articles for over 20 years, regularly reviewing classical music, opera and musical theatre in particular for The Australian and Limelight magazine as well as other journals. Most recently she was Arts Hub's Brisbane-based Arts Feature Writer.

Suzannah's Latest Articles

Four men on stage with showbiz lights as part of Jersey Boys Prospero Arts performance.
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Performance review: Jersey Boys, QPAC

Prospero Arts delivers a finely crafted and well-sung, semi-staged version of ‘Jersey Boys’ in Brisbane.

Götterdämmerung. A Wagnerian male singer is on his knees screaming out in distress, while a man behind him attacks him with a staff. Other figures stands out around in furs.
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Opera review: Götterdämmerung (The Ring Cycle), QPAC

Well-crafted and powerfully delivered, Götterdämmerung’s resounding success concluded a polished and exceptional Ring Cycle presented by Opera Australia in Brisbane.

Siegfried. Lone man with sword on a red stage in front of huge image of glaring eyes.
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Opera review: Siegfried (The Ring Cycle), QPAC

'Siegfried' offers some of Wagner’s finest singing in an opera that has its flaws alongside its emotional highs.     

Die Walküre. A purple and reddish backdrop with a huge silver flying bird like figure above a group of silver clad warrior women.
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Opera review: Die Walküre (The Ring Cycle), QPAC

Some very fine singing within a panoply of impressive digital imagery makes 'Die Walküre' a winner on many levels. 

Das Rheingold. Four giants dark brown heads with splashes of red form the backdrop of the stage, on which stand four white robed opera singers playing Norse gods.
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Opera review: Das Rheingold (The Ring Cycle), QPAC

Commencing Opera Australia’s 'Der Ring des Nibelungen' cycle in Brisbane, 'Das Rheingold' offers an impressive introduction to the tetralogy.    

Aida. Image is a woman in black singing and gesticulating in operatic style, while members of the chorus lie around her reaching up, they are in Ancient Egyptian costumes, with lots of gold.
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Opera review: Aida, QPAC

Musically first-rate and impressively sung, Verdi’s 'Aida' rises above the idiosyncrasies of this 21st century production. 

Strictly Gershwin. A number of ballet dancers pose mid dance in front of a film screen showing Fred Astaire and Ginger Rogers.
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Dance Review:  Strictly Gershwin, QPAC

A welcome return tribute offers a sparkling production and splendid dancing from Queensland Ballet.

Umberto Clerici. Man in black formal wear conducts orchestra.
Features

Leading from the front, Umberto Clerici forges a new orchestral direction

Looking forward to an ambitious 2024 season, the Chief Conductor of the Queensland Symphony Orchestra recaps on his 2023 program…

Mahler
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Music review: Clerici Conducts Mahler, Concert Hall, QPAC

Mahler’s Sixth Symphony was given expert treatment with the assistance of a supercharged orchestra.

Bananaland
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Musical review: Bananaland, QPAC, Brisbane Festival

A brand new Australian musical comedy hits the right notes at the Brisbane Festival and offers a glorious, fun-packed night…

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