Baking bad: what a cookbook stoush tells us about creative plagiarism

When does inspiration become 'plagiarism'? The latest stoush between famed cookbook authors serves as an important case study.
Nagi, a middle-aged Japanese-Australian woman with black hair, in a kitchen cooking and smiling at the camera. She is making plagiarism claims against another cookbook author.

The boundary between inspiration and plagiarism remains a contentious and nuanced issue. While plagiarism scandals are nothing new in the Australian publishing world, the recent controversy involving Australian cookbook authors Nagi Maehashi and Brooke Bellamy has reignited this debate, offering a poignant case study for artists, writers, and creators across disciplines.

Maehashi, the force behind the popular RecipeTin Eats blog, publicly accused Bellamy last month of replicating her recipes for caramel slice and baklava in Bellamy’s best-selling cookbook, Bake with Brooki. Maehashi presented side-by-side comparisons, highlighting striking similarities in ingredients, measurements, and instructions.

Bellamy, a social media influencer and owner of Brooki Bakehouse, denied the allegations, asserting that her recipes were developed independently over many years and rooted in personal and familial traditions.

This dispute underscores the complexities inherent in creative endeavours. In fields like culinary arts, where foundational techniques and classic recipes are part of a shared cultural heritage, distinguishing between homage and appropriation can be challenging. While it’s common for artists to draw inspiration from existing works, the ethical imperative lies in acknowledging sources and contributing original perspectives.

The legal framework offers limited guidance. Copyright law typically protects the expression of ideas rather than the ideas themselves. While a unique narrative or presentation may be protected in the context of recipes, the list of ingredients and basic instructions often are not. This legal ambiguity places greater responsibility on creators to self-regulate and uphold ethical standards.

Read: Why ideas are worthless in copyright terms

For the broader arts community, this incident serves as a cautionary tale. It highlights the importance of transparency, respect for intellectual property and the value of originality. Creators are encouraged to engage in reflective practices, ensuring that their work honours the contributions of others while offering fresh insights.

Maintaining integrity in creative work is paramount in an era where content is rapidly disseminated and consumed. The Maehashi-Bellamy case reminds us that while inspiration is a vital component of artistic growth, it must be balanced with accountability and respect for the creative labour of others.

David Burton is a writer from Meanjin, Brisbane. David also works as a playwright, director and author. He is the playwright of over 30 professionally produced plays. He holds a Doctorate in the Creative Industries.