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Wesfarmers Arts’ reconfirms partnership with $2.5 million handshake
In one of the longest corporate partnerships in the NGA's history, Wesfarmers supports learning and visibility for First Nations arts…
Blue and white porcelain reimagined by 14 contemporary artists
Expect the unexpected when 14 Asian Australian ceramic artists come together to reinvent the classic blue and white piece of…
No Vacancy: a gallery hiding in plain sight
Located in the heart of Melbourne’s CBD, No Vacancy is driving a new type of art appreciation.
Dutch designer’s leap of faith in Australia pays off
Dutch fashion designer Iris van Herpen first visited Australia for skydiving aged 17. Now the creative mastermind has brought a…
Exit interview: AGSA's Lisa Slade on blurring the zones
For Lisa Slade education and curatorial leadership have always blurred. ArtsHub speaks with her on leaving the Art Gallery of…
The Potter announces reopening exhibition for 2025
The Potter Museum of Art will reopen in 2025 with an epic rewriting of art history.
Exhibition review: Ivan Durrant: Marmalade Skies Through Opal Eyes, Hamilton Gallery
An exhibition that focuses on Ivan Durrant's commitment to colour and observations of the world around him.
Postcard from Washington DC
ArtsHub takes a trip to the US capital, and finds much more than politics...
Wu-Tang Clan’s ultra-rare album-as-artwork comes to Mona
Originally sold for US$2 million, the ultra-exclusive ‘Once Upon a Time in Shaolin’ is coming to Mona, and fans have…
The slippery nexus between sculpture and design and the agency of materials
Canberra Museum and Gallery has a new exhibition: Materiality… but not as we know it.
